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  • 3269 - Casting Mature Male & Big Build Female for Feature Film "The Fifth Shadow" (Sydney)
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  • 3276 - Casting Feature Film "Time Travel" 2 Females 20+ Support Role 25-35 (Melbourne/Paid Work)
  • 3283 - Lead Female 18-30 & 12 Puppeteers/Physical Theatre Artists "The Omega Quest" (Melb/Profit Share)
  • 3290 - Casting Cabaret Show & Short Film "Beach Zombies" (Brisbane/Profit Share)
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  • 3314 - Feature Film Casting 12 Males and 1 Female Actor 22-30 "The Killers" Get Revenge or Get Killed (Illawarra/NSW/Profit Share)
  • 3316 - Lead Male and Female 18yo "Bad Blood - No Swearing" Short Film (Melb/DVD Copy)
  • 3317 - Professional Team Casting Female 27yo - 1950s Housewife to Hip Hop dancer "Taste The Future" (Sydney/Paid+DVD Copy)
  • 3319 - Presenters - 5 Kids or Teens Co-host Channel 9s "Kerri-Anne" Show - (National)
  • 3320 - Auditions - 5 x Male Actors 30-40 for Student film - NoT!TLe (Sydney)
  • 3321 - Casting 4 Actors Any Age for Live In Cinema Performance for Microsoft 7 Scene - Good Rates (Brisbane/Paid Work)
  • 3322 - Experienced Male Actor 20-30 Years "Mr braithwaite Has a new Boy" (Melb/Profit share)
  • 3323 - Baby On Board - Casting Baby Boy and Mum Aged 28-45 for AFTRS Production (Sydney/Deferred/DVD Copy)
  • 3324 - Male Bus Driver Role & Kids Aged 12 for AFTRS Short Film (Sydney/Deferred Payment/DVD Copy)
  • 3325 - Audition - Choir/Marching Band/Cheerleaders/Dancers/Performers AFTRS Short Film (Sydney/Deferred/DVD Copy)
  • 3326 - Casting 2 Males 30-50 Martial Arts, Dance or Stunt Training or Athletic Abilities - MAKEKAM - Short Film (Brisb/GC/DVD Copy)
  • 3327 - Casting 2 Females Ages 14 and 21 MAKEKAM Action Drama/Special Effects (Brisb/GC/DVD Copy)

  • Screen Australia Deny's Claims



    About ActingPosted On Monday, June 07 @ 21:17:08 EST
    By admin

    By Morgan Hind

    Screen Australia has rejected claims that it is approving film production budgets which undervalue the work of post-production houses and endangering the future of the local industry.

    It comes several months after eight sound post-production companies, led by major local player Soundfirm, wrote to Screen Australia expressing concerns about the depressed state of the industry.



    However, the national screen agency told Senate Estimate hearings this week that the sector's current woes are being caused by price undercutting and the high value of the Australian dollar.

    “We have heard a lot of criticism that the budgets are being slashed and burnt, but we have not seen any evidence in the budgets that we get,” Screen Australia executive director Fiona Cameron told the Senate.

    “So all we can assume is that competition is such in the PDV [post, digital and visual effects] sector, and there is so little work in the PDV sector, that people are undercutting each other.”

    Screen Australia said it cannot regulate pricing for post-production services and it still used a guideline, called The Satchel, as a point of reference. It was created by the now-defunct Australian Film Commission and contains recommended guidelines, forms and budgets for a film.

    The issue was first reported by INSIDEFILM (#126) in its November 2009 edition. At that time, Soundfirm chief executive Roger Savage said the proportion of budgets allocated to sound-post had more than halved over the past two years, forcing many post houses to downsize, retrench staff and sacrifice necessary technological updates.

    However, Cameron said it was not Screen Australia's role to regulate a floor price and “from our perspective the commercial rates are reasonable”.

    “The best thing for them is more international productions and a bigger and stronger Australian production industry as well,” she said.

    “We never regulated a floor price. It was not our role to regulate a floor price and we do not propose to regulate a floor price.”

    The Federal Government announced plans to boost the PDV and Location rebates in the 2010 Budget in an effort to attract more offshore productions to Australia.

    Meanwhile, the value of the Australian dollar - which almost hit parity with the US dollar in the past year - has now fallen back to the mid-80s providing another incentive for offshore productions to shoot locally.

    article sourced www.if.com.au

     
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